Today was what could be described as a ‘good’ day. Although Jason is still poorly, Lee came over to help him with the kids which meant that I was still allowed to go out. As Jason himself whispered into my ear (his throat hurts, he wasn’t trying to be seductive); ‘It’s not every day you get to see Gandalf in person.’ Indeed not. Although if it hadn’t have been for Lee I would have had to stay at home anyway and just Google pictures of Gandalf, because Jason is now actually properly poorly and not just man flu poorly. He thinks it might be toncilitis. I have no idea what it is but he looks impressively unwell, and I’m just thanking the good Lord on bended knee that I don’t have it.
Andrea was picking me up from my house at eight o’clock and I managed to surface early enough to drink coffee and eat toast before she arrived rather than as we were leaving. As she was half an hour late herself I can’t give myself total credit for being bright eyed and bushy tailed, but as I was on my second cup of coffee when she arrived I feel I can still claim some credit. I was inordinately proud of this fact.
There have been trips which we have undertaken where I have drunk my mug of coffee in transit, whilst balancing my toast on the electric windows. I have always managed to get dressed before stepping out the door, but as most people manage this on a daily basis it does seem a small thing to be grateful for. I don’t always get dressed properly either, and have been known to wander round in great discomfort all day only to find eight hours later that my pants are on sideways.
We didn’t get lost on the way. We didn’t get stuck in traffic, even though we had to use the abomination that is the M25. We arrived at her friend’s house on time and as arranged. Despite ominous signage about bus links to replace the tube, it was still running and we caught it. I felt left out because I was the only one who didn’t have an Oyster card, but I tried not to let it bother me too much. One day I may even be allowed an Oyster Card of my own, and in the mean time I shall try to be satisfied with a one day travel card. It’ll be hard, but them’s the breaks.
Travelling the Piccadilly Line gave me ominous and sweat inducing flashbacks to my days as a commuter. I used to live in Hendon and work in South Kensington for a while. For those of you who don’t know London this probably doesn’t mean a thing, but for those of you who do, this signifies an ominous trip of hellish proportions. I would catch an overland train to Kings Cross, then use the underground to go from Kings Cross to South Kensington on the Piccadilly Line. On a good day this could take forty five minutes. On a bad day it could be anything up to two hours. Some days it would take me fifteen minutes to get onto the tube platform at Kings Cross. I can count on the fingers of one hand the days I actually got to sit down on the way to work. The day there was a bomb scare it took three and a half hours to get in. I don’t know why I bothered. I should have rung in, told a hideous fib and gone shopping. I was just too honest in those days. I must have been mad.
I used to work at the Victoria and Albert Museum. I worked in the sponsorship department. It was basically our job to ring up lots of very old, very rich people and ask, cajole and beg them for money so that we could buy new ‘stuff’, put on new exhibitions and get money to build giant bedouin tents in the gardens and stuff. In exchange we would take photographs of them which would then get published in Hello! Magazine. Fair exchange and all that. Friday was my worst day. Friday was when the death notices came out, and it was my morbid duty to pore over them.
Basically, rich people often leave money in their wills for ‘charitable donations’, which they then leave their executors to sort out because while they’re sure they want to leave eight billion quid to the retired donkey home, and fifty thousand to the silver spoon society, they have a few extra thousand they’re just not sure what to do with (if only I had that problem). When this happens, all the details of the people who have left this money are put together on a big list, with the amounts available, and circulated to all the institutions that would normally be eligible for this kind of money. My job was to go through this list, circling all the appropriate entries. I would then wait for my boss to ‘okay’ my choices, and my job was to write what was a delicate balance between a: ‘Dear Lord Chumleigh, we are so sorry to hear of the death of your mother’ letter and a: ‘Dear Lord Chumleigh, give us a million quid so we can buy a bit of faded old tapestry which won’t see the light of day for another eight years,’ letter. This is not as easy as it sounds. Particularly not last thing on a Friday afternoon when all you want to do is go home via the pub.
I was never very good with the landed gentry, which is probably why I hated the job as much as I did. I had always wanted to work at the V&A, so when it came up I was like a pig in muck. That feeling lasted approximately one day, and then I loathed it for the rest of my stay. There is enough etiquette to choke an ox. Everything has to be filled out in quadruplicate (I am not kidding) and ordered a month in advance, and there are twenty six miles of corridors in the building, most of which you end up walking on a daily basis. It used to take twenty minutes to get from my office to accounts just to fill out a petty cash slip. Madness.
As for the posh people, they were bloody everywhere. It was worse than having ants, mainly because there is no powdered repellent to deter posh people, and it’s illegal to pour boiling water on them. There was always somebody important coming to visit. Someone with a triple barrelled name which wasn’t pronounced anything like it sounded, someone with twelve titles, but who had to be called something totally different because traditionally you call The Rear Admiral, Mavis, but you only know that if you’re posh. Apparently, in my spare time I was supposed to be reading Debrett’s peerage so that I wouldn’t make faux pas. I didn’t have any spare time because funding was so tight I was already doing three people’s job and working four hours of unpaid overtime a day. Clever people, I was told, would be able to read and inwardly digest it whilst traversing the miles of corridor in between jobs. As it took two hands to hold the paperwork to request four cups of coffee and some malted milk biscuits, I didn’t quite know where I was supposed to be balancing a book the size of the Concise Oxford Dictionary. I expect that if I were posh I would have worked it out. Sadly I was too common.
I was always making mistakes. One day my boss said: ‘Now be a love and ring Bertie and ask him if he’s coming to this bash on Friday because he hasn’t replied to his invitation.’ I duly picked up the phone and asked for ‘Bertie’, only to have a very snooty lady on the other end of the phone say: ‘That’s Lord Toffeenose to you, peasant,’ or words to that effect. I did this kind of thing on a daily basis, along with getting lost.
My other ‘job’ was to use my lunch hour to navigate my way around the museum so I knew where everything was. Problem was, I was quite hungry when lunch time came around (It’s another way you can tell I was common, always starving), and I used to sneak out to Pret A Manger instead. Consquently whenever important people came to our office (which was in a broom cupboard somewhere five miles away from the museum proper), I would be told to take Little Lord Fauntleroy over to ‘Dresses of The French Empire’, and we would invariably get lost. I would always end up by a carving of a medieval donkey no matter where I was supposed to be going, or how long I had been wandering for. I did wonder at one point whether it was actually following me round. Eventually the stress got to me, and I left after three months.
I’m sure everyone else was as delighted as I was. One day when someone very important was coming for lunch with the Director, and his PA was going mad because the florist had sent lupins as a table arrangement, over which the guests wouldn’t be able to see each other, I suggested cutting them in half with a pair of scissors and saying they were ‘art’. The silence was deafening and it was definitely one of those, ‘I’ll get my coat moments’.
Back to the day in question I think. I felt much better when I navigated us to Drury Lane without the aid of a map and with no mistakes. I may not have lived in London for years now, but I can still find my way around without looking like a tourist, and that’s what counts! I know Drury Lane very well, not because of its theatres, or its grand and ancient history, but because it has a first rate chemist that I used to come up to town specifically to use (Farmacia), and it also has/had (times change, things move on) a very good Oxfam shop. It’s almost as good as the one in Hampstead. The one in St. John’s Wood also has its moments for those of you wanting to go up to London for the day just to browse second hand shops, or vintage clothing emporiums as I suppose they must now be called.
The play was excellent. I would suggest you get a ticket, but as they were queuing half a mile down the road for returns I happen to know that there aren’t any. Some lady behind us was bragging that she was going to see Ewan McGregor as Iago at the Donmar Warehouse and she’d had to sell her house and her husband to get the tickets, so I know there aren’t any for that either. I’m not too disappointed. Apparently McGregor isn’t very menacing as Iago, and I hate Othello, although I have seen it for the sake of completion (I am determined to see all Shakespeare’s plays before I die. I’m not doing too badly so far). Her bragging was wasted on me.
The only weak point in Lear was Cordelia. The actress who plays her is a woman called Romola Garai, who I had the misfortune to see in Chekhov’s, The Seagull a few months ago. She’s been in several films as well, and I just can’t warm to her. I’m sure she’s a lovely person. She probably donates money to the silver donkey society and eats all her crusts, but she’s a very shrill actress who emotes grief by screwing up her face and wailing loudly in the manner of a woman who has had the misfortune to have both sucked on a lemon and stood on a piece of lego simultaneously. She also likes to flap her hands around in the manner of the dingle, dangle scarecrow (for those of you who have the misfortune to attend mums and tots you will know exactly what I mean). I just can’t like it, as Tallulah would say.
Luckily this is a minor problem here, as Cordelia is only in a few scenes and has very little to say. This made things more bearable and the rest of the play was superb. McKellen’s performance did not disappoint in any way, and I can honestly say that when I was watching him I forgot that I was watching Shakespeare and felt like I was watching something real. It was the best theatrical performance I have ever seen in my life and I feel very priviliged to have seen it. A true high point in my life.
As you can see from the title of the post today, he also got naked on stage, which was quite surprising. Especially as he was being chased around by Sylvester McCoy at the time (he hadn’t parked his tardis in the wrong place, he was playing the fool). It’s not every day that you get to see Sir Ian McKellen in all his glory being chased round a stage by an ex-time Lord wearing a smoking cap. Although the appendage was a sight to see I have to say I don’t think it added anything to my understanding of King Lear, although I thank it for providing me with material for blogging purposes.
Although the calibre of the acting was never in question, the calibre of the audience was rather dubious (we were there!). As we were waiting for it to start, a lady behind me said pointedly to the man sitting next to her: ‘It isn’t a comedy you know.’ As they’d just shut all the doors and were about to dim the lights, I thought it was a bad time to tell him not to expect any laughs, but there you go.