Last night, just before I went to bed I watched Beeny’s Restoration Nightmare. Then I was too tired to blog it. I should have had a coffee, stayed up, and blogged it. I dreamed about it all last night in one weird form or another. First I was helping Graham (Sarah Beeny’s husband) saw down a tree that had fallen across the road. Then I was helping to rescue one of the tenants from the tied cottages (there are none in real life) who had fallen into the quarry pool (again, no quarry in real life). I remember a distinctly odd sensation of swimming down through peaty water. At one point in the dream there was some talk of relocating the hall from just outside Hull where it currently stands (in real life) to just outside Paris.
Very troubling.
So, coffee in hand, bleary eyed I am now exorcisin’ the demons, because I’d quite like to get on with my day without being haunted by Sarah Beeny. Not that there’s anything wrong with her. Far from it.
Every single article about her always starts with some reference to her fecundity and the amount of children she has. The poor woman must be sick of being held up as the poster child for fertile women with careers in television. Sadly, I do want to mention it, but I promise that after this it shall never be mentioned again by me in print.
One of the reasons I admire Sarah Beeny is not how pregnant she gets. That is, after all, as much to do with her husband as her. Nobody’s going round saying: ‘You know that Graham Swift? He’s got Sarah Beeny pregnant four times. He must have a cock like a steam hammer.’ Nor do they mention it in terms of his career. ’He’s got four children but he can still load a brush with paint can’t he? God love him.’
No. I admire her because she has never let pregnancy stop her doing anything, despite the fact that for most people it can get a bit debilitating, even when things go smoothly. She staggers about on scaffolding, drags herself round building sites and just gets on with a life that would tire me out and make me want to weep into my wellingtons on a normal day, all while she is growing a child. She makes it look reasonably easy too. That’s not to say there aren’t days when you watch her and think blimey, she looks knackered, but that’s cool. I like the fact she doesn’t seem to mind being filmed looking knackered or a bit stressed, or frazzled. That’s what life is like.
And as a woman who spent the entirety of her three pregnancies fainting, bleeding, throwing up and falling over, I am in awe of anyone who just gets on with things.
This series, the second which shows Sarah and Graham doing up their 200 year old, 97 room property, Rise Hall, is the first show for a long time in which Sarah is not pregnant. I wonder if she is a bit sad about that, but it certainly made it easier to lie on the very high scaffolding and paint the intricated moulded ceiling in the dining room they were restoring last night. With any kind of bump she would have been wedged fast and had to have been incorporated as one of the cherubs.
If you haven’t watched the programme before I will recap. Graham and Sarah bought the property ten years ago for about 450,000, which is a steal for a 97 room property. The reason it was a steal was because it was disintegrating. The best you could say was that it had ‘potential.’ It is grade two listed, so all repairs are bound by listing regulations. As they said. Whatever money you throw into it, you’re never getting it back.
It is a Georgian money pit.
Sarah and Graham live there part of the year, and were gradually restoring it bit by bit, but the cost of the restoration and the time they could spend on it meant that it was crumbling faster than they could shore it up. They either had to sell it or sink everything into it and find a way to make it pay.
They chose to find a way to make it pay.
There is a lot of controversy around this series, and the house itself. At the end of the last series, Graham and Sarah had restored enough of the property to be able to run weddings from it. The series ended with the celebration of the first wedding.
It was also the last.
The local planners have since jumped all over the project and raised all kinds of objections to Graham and Sarah’s plans. You can read Graham and Sarah’s version of the planning issues here if you are interested.
In this series the focus is on two things, the ongoing restoration of the hall, as Graham and Sarah tackle the main state rooms on the south side of the building, and try to get all the 30 odd bathrooms and bedrooms finished. It also deals with the planning argument.
I don’t know enough about planning to be able to quote chapter and verse on planning law. I have been reading about it on the internet, and certainly a lot of the people commenting on the articles that have appeared in the newspapers seem to know about as much as me, but aren’t afraid to wade in with an opinion. So here’s mine for what it’s worth.
The main criticisms online seem to be based on the idea that a) they’ve got too much money, more than us, and so they deserve whatever trouble they get, and b) isn’t it nice to see that lady from the telly who tells other people how to do it getting her comeuppance. You would have thought she would know all about planning law.
Well. Firstly, as you can see from her career, and possibly her husband’s although I don’t know so much about his, they obviously work like dogs to earn the money they have, and as such, given that they have earned it legitimately, they can spend it on whatever the bloody hell they like. And if they want to spend £150 a roll on hand blocked wallpaper, it’s up to them. Nobody asks you to justify what you spend your money on, and if you don’t like what you earn, work harder or get another job.
If you want to get affronted at people spunking money up the wall, may I draw your attention to Paris Hilton and her jewel encrusted chihuahuas and her inherited millions before you start having a pop at people who are trying to save one of Britain’s beautiful buildings.
In answer to b), I’m sure Sarah does know all about planning law, and I doubt that she thinks that because she is ‘off the telly’, she is going to get more privileges than ordinary mortals. In fact, if I were Sarah I would be acutely aware that as I’m ‘off the telly,’ I’m going to come in for more scrutiny, and have to be more transparent than anyone else, because her whole life is pretty much documented by the media. If you read her planning statement, which I have linked to above, it seems reasonably straightforward to me.
Although I admit that it would, given that Sarah and Graham have written it themselves, but I hardly think they’re likely to be taking the fight into the public arena if they weren’t reasonably sure of their ground unless they were hoping for the headline: ‘Beeny gets a good drubbing.’
So, that’s my ha’porth. And I am afraid that I am very partisan in cheering for people who prefer to restore 200 year old houses that are beautiful, rather than, as some troubled commenter suggested, knocking down the hall and providing jobs by building an estate of Barratt houses. Right. Because we don’t have enough new build housing in this country standing empty because nobody can afford to move into them in the current climate.
The main joy of the programme is watching them restoring the faded dignity of the house and allowing it to live again. I love Sarah’s passionate belief in it as a kind of dinosaur that needs nurturing back to life, and filling with people who will love it and use it as a home and a community space rather than a mausoleum.
The regency dining room was the focus of attention yesterday, as they spent five weeks painting the elaborate plaster ceiling and trying to make an affordable replacement fire place to mimic the one that was stolen and sold to the States for £90, 000 at auction just before they bought the property.
As the lady chimney sweep, wonderfully named Mrs. Bumby, rodded a gazillion birds nests out of the chimney Sarah got tearful at the thought of the small sweeps who would have been sent up there originally to clean the flues.
Graham got excited about his wall paper, and it was amazing that they were able to track down, by accident, the exact hand carved block that had made their original wall paper and use it to make new paper in the traditional way to repaper the room. I’m sorry, but I’m a bit of a nerd about these things. Who wouldn’t get excited by that? It was fabulous.
They finished the room by the skin of their teeth, holding a Regency style dinner in celebration, and to raise funds for a local charity that supports disabled children and their carers. It all looked super grand, despite the fact that there was no power to the kitchens and they had to jerry rig yards of cabling.
My favourite bit though, was when, just as the toasts were being toasted, the cat broke in and tried to do a shit in the newly restored fire place.
Rock ‘n’ roll restoration. Just how I like it.