Monthly Archives: August 2010

Images of London

I am so tired I can hardly see, but my brain is on overdrive and I cannot sleep. I have a load of blogging stacking up over Heathrow and am about to go away and accrue a whole lot more things to say, so I am trying to empty my brain a bit.  I hope this means that the important stuff like remembering how to eat, doesn’t get pushed out by the need to recall all the daft things the children will undoubtedly do on holiday.

I am not capable of much coherent thought at this point though, so I thought I would share with you a few random images of our holiday in London a few weeks ago:

Like the shutters on a glorious house in Bermondsey that sat next to a house with a kind of beach hut style thing on the roof that I also loved:

Or this deranged sheep at the Tower of London:

It looks menacing because it is actually part of a cannon.  An ornamental cannon.  I still can’t quite get my head around that one.

I loved these knitted patchwork blanket changing room curtains in the Mornington Crescent Oxfam shop.

And this red socked girl who was painted on a wall at Camden market.

These words painted on the wall leading down to the nocturnal house at London Zoo are wonderful.

This van made me laugh.  It was so filthy I think that tasting the Nile from its environs would probably give you dengue fever.

And the very self deprecating sign advertising ‘quite nice mugs’.  Let’s not go overboard here.

I love this detailing from the gates at Potters Fields Park.  And this:

splendid roof at the Hays Galleria.

Finally I will leave you with the word I always think of when I am in London:

Happy Anniversary

Tomorrow I am off to Kent with the children.  We are spending the week with my lovely friends Keith and Noreen, who have very kindly adopted me into the bosom of their family when my own family bosom is otherwise engaged.

I was supposed to be driving down on Friday, but I had totally forgotten that this weekend is a bank holiday.  And I have never done a journey of more than an hour and a half before as a driver.  And, and, I have to negotiate the M25.  To say I was tredipidatious would be an understatement. 

I was however very brave and I only blinched (Piglet phrase) a bit when the upcoming trip was mentioned.

Jason, who despite his penchant for packing things and then unpacking things and storing things and then unstoring things, is a bloody nice bloke, had noticed.

Today he rang me from work to say that he was working a half day tomorrow so that he could drive me down to Kent and save me the stress of a marathon journey with just the children to help me.  He is not coming all the way, but we are going as far as Sevenoaks, where he will catch a train back to Glenfield and I will go on with the children to a very lovely looking hotel that he has booked us into.

On Friday morning after breakfast we can do the last fifty miles at a leisurely granny pace and meet Keith and Noreen for lunch in Rye, where we will be staying.

Did I mention how much I love my husband?

It is our wedding anniversary next weekend.   This is his present to me.  I am touched beyond belief.

To put this into perspective, if I were to try to come up with an equally meaningful gift for him I would probably have to give him one of my kidneys.

I recommend some stuff

You should read Maggie O’Farrell’s book, The Vanishing Act of Esme Lennox.  It is the most exquisitely written, well crafted and clever book I have read all year.

It was one of those books where I wanted to finish it immediately because I had to know what happened, and yet I wanted to savour it slowly because I didn’t want it to finish.

I haven’t read a book like this for months.

It has been such a joy to read. It really has.

It is about a woman called Esme Lennox (surprisingly) who is incarcerated in a mental hospital in Edinburgh when she is sixteen years old, labelled schizophrenic.  It is never entirely clear whether she is actually mad or whether her failure to fit into the rigid mores of Edwardian society are what doom her.  The unresolved question and the tension it adds to the story are one of the things I love best about the book.

Esme’s story is interwoven with that of her grand niece, Iris, who sixty years after Esme is imprisoned receives notice that the mental hospital is about to be closed down, and provision has to be made for Esme.  Iris has never even heard of Esme and the discovery of this new relative impacts her life in ways she cannot begin to imagine.

The writing is lucid, beautiful and has a dreamy quality which adds to the eeriness of the story.  O’Farrell’s eye for detail is rendered wonderfully in prose which at times verges on the poetic, but which is never sentimental, and which only serves to heighten the edginess of the mood she creates and the darkness of the subject matter.

Here is the description of Iris receiving the letter about Esme:

‘The typeface on the front makes her pause, half-way to the counter.  It is small, cramped, each letter heavy with ink, the semi-circular heart of the e obliterated.  Iris holds the envelope close to her face and sees that the shapes have been pressed into the grain of the manila paper.  She is running her fingertips over them, feeling the indentations, realising that it has been done on a typewriter.’

It’s just beautiful.  I am going to make a point of tracking down and reading everything else O’Farrell has written.  She is unbearably good.

I am watching with great glee, The Great British Bake Off.  Every week lots of very tense people gather in a tent, forced to perform unfeasibly high standards of baking, while being judged by the doyenne of the British baking scene, Mary Berry and a glamorous baker I have never heard of before, who is unfeasibly called Paul Hollywood.  Last week they did cakes.  This week they had to do biscuits and other baked goods, including making the perfect scone, and macaroons.  It is very, very tense, and rather amusing.  I am envious that each contestant has a different coloured Kitchenaid mixer, even though I have one myself already.  They just look so nice in gangs of vibrant colours.  I would like one in lime green and one in hot pink to clash violently with the baby blue one I already have please.

The programme is presented by Sue Perkins, who I love, and her comedy partner, Mel Giedroyc, who I am quite fond of.  They provide light hearted banter when people whose choux pastry has gone soggy are trying to kill themselves by drinking neat vanilla essence and jabbing themselves with an icing bag.  They also provide interesting baking related facts such as the information that the digestive biscuit was originally created as a cure for flatulence, and that the British public consume 52 digestive biscuits a second.  We must be a particularly farty nation.

Tilly and I are totally entranced.  I am not entering.  The lecture on scones by Paul Hollywood made me nervous to the point of tears and I was only watching the programme.  It’s a scone eat scone world out there.  I will just stay in with my 52 digestives thanks.

I am currently listening to this:

I know I am old and not at all hip to the beat, but it’s still a great tune and a great video.

A Little Snackerel

At breakfast time Oscar sidles up to me and inserts himself between me and the cafetiere:

Oscar: ‘Mama?’

Me: ‘Mmmmmm?’

Oscar: ‘I think I need a biscuit now.’

Me: ‘Mmmmmm….I mean, NO! We do not have biscuits for breakfast.’

Oscar: ‘But mama, I think I really, really need one.’

Me: (trying to avoid bouts of boy whinging before second coffee cup has been emptied) ‘I tell you what.  Why don’t we have elevenses as a special treat today? Then you can have a biscuit.’ (and me)

Oscar: ‘That’s a good idea mama.  Thanks.’

He trots off.

He trots back.

Oscar: ‘Mama?’

Me: ‘What now?’

Oscar: ‘I am worried about elevenses.’

Me: ‘Why?’

Oscar: ‘Well. We do not have a number eleven on our clock. So how will you be able to tell when it is time for elevenses?’

Me: ‘We do have a number eleven on our clock. You have just forgotten what it looks like. Do not worry. I will know when it is time for elevenses, o.k.?’

Oscar: (mollified) ‘O.k.’

He trots off.

He gallops back.

Oscar: ‘Mama! Mama!’

Me: ‘What? What do you want now?’

Oscar: ‘If we have eleven on our clock ,how come we don’t always have elevenses at our house?’

Me: ‘Because we don’t. Alright?’

Oscar: (defiant) ‘No! ‘Acos granny has elevenses at her house. And when we go to granny’s house we always have elevenses, but we don’t have them here, so I just don’t know.’

Me: ‘If we had elevenses every day at our house it wouldn’t be a special granny treat, would it?  And you like going to granny’s so that you can have special granny treats, don’t you?’

Nods

‘So, if I gave you elevenses every day I would be spoiling special granny treat time, and that would never do, would it?’

Shakes head.

‘Alright?’

Oscar: ‘Yes.’

Me: ‘Good, now bugger off and let me drink this coffee.’

He trots off again.

The Battle of Hastings – But Shinier – And With Show Tunes

It’s at times like these when I think Twitter would probably be a good thing.  Events are moving fast here at the historical re-enactment morning. 

Tilly has  now moved on to filming a re-enactment of The Battle of Hastings.  Oscar is being King Harold.  He has been persuaded by Tilly that this is the best role. She has not told him about his impending demise yet.  I have the feeling that when this news is broken the battle may well degenerate into a real war with your genuine 100% bloodshed as an added bonus.

I think what I like best about this version is the fact that they are filming it using the Glee cd as their soundtrack.  It’s all a bit Chariots of Fire.

Apparently there is slow motion in this film too, to make the battle bits more dramatic.

I can hardly wait.

Tilly B De Mille

Tilly is currently getting enthusiastic about medieval history. In particular, the Plague years.  She made an excellent film this morning about the plague.  If I can persuade Jason to allow me to publish it I will.  I was crying with laughter.  It was very moving.

Now she is trying to do role play about the lives of the medieval peasant under the feudal system, using her brother and sister as the peasants.  It is going about as well as you could expect.

Tallulah has already moaned because harvesting the corn has played havoc with her hair.  Oscar just refuses to be a peasant point blank.

Tilly was supposed to be the Duchess, handing out subsistence wages to her serfs.  There was a rebellion after about two minutes.  I feel that the Peasants Revolt of 1389 would have been even more successful had my children been allowed to participate.  Tilly came upstairs announcing that she was the Duchess still, but wishing to introduce me to her new husband.  I asked what his title was:

‘Well. I am the Duchess, so he is the Duch.’

Fantastic.

Medieval Nursery Rhymes

Tilly: ‘Mama, did you know that the nursery rhyme Ring a Ring O’ Roses is all about the black death?’

Me: ‘Yes, I did actually.’

Tilly: ‘That’s so cool isn’t it?’

Me: ‘Yes, it is.’

Pause…

Me: ‘Tilly?’

Tilly: ‘Yes, mama.’

Me: ‘You know the nursery rhyme, Pop Goes The Weasel?’

Tilly: (looking very excited) Yes.’

Me: ‘Did you know that it’s all about exploding rodents?’

Tilly: ‘Oh, mama….’

The rules about raising children – part twelveteen of eleventy

Oscar: ‘Mama?’

Me: ‘Yes Oscar.’

Oscar: ‘If I smile and enjoy myself will you tell me that I am very naughty?’

Me: (very sternly) ‘Yes. I surely will.’

Oscar: ‘Why?’

Me: ‘Because you know that children are not supposed to enjoy themselves.  That is not the point of children at all.’

Oscar: ‘What is the point of children mama?’

Me: ‘The point of children is to be very, very, very miserable all the time.’

Oscar: (grinning hugely) ‘Yes. And then what?’

Me: ‘Then they must cry, and be incredibly sad.  They must never laugh, because that is very wicked and evil.’

Oscar: (giggling) ‘If I laugh will you call the police man?’

Me: ‘Yes. That is my job as a mummy.  I must call up the police and tell them to come and put you in jail because you are enjoying yourself far too much, and that is a crime.’

Oscar: ‘Acos everyone knows that children must not be happy.’

Me: ‘That’s right. Misery and woe is all that children deserve.’

Oscar: ‘O.K. mama.  I am just goin’ to call the cops for you.’

Never Mind the Quality, Feel the Width

We have been doing some homework today.  I have a violent headache and hands covered in felt tipped pen wounds as a result.  I am amazed by how green ink seeps into the backs of my wrinkly hands. It reminds me of doing chromatography in second year chemistry.  How depressing.

Before today I had mulled over the idea of taking Tallulah out of school too and homeschooling everyone in a giant free for all.  I thought it might be bonding and inclusive and nice.  I thought: ‘How hard can it be? Grit does it with triplets.’

I don’t know if I am just making excuses here, because I have, as you can already tell from the apologetic air of the post, failed spectacularly at this, but maybe it is easier if your children are all the same age?  After all, at least they are roughly at the same level of understanding, even if they are all intent on pursuing different ideas and projects.  After two hours huddled across the kitchen table with Oscar (3) who wanted to draw animals from my new animal book, but actually ended up drawing on the table legs because he was taking advantage of being comprehensively ignored, Tallulah (7) who was making a gigantic fuss about the Egyptians, and Tilly (11) who was steadily colouring in a fourteenth century plague victim liberally encrusted with buboes, I feel like I have had my head in boiling oil for a week.

I know I am very old fashioned about such things, but I do think it is important to write whole, well constructed sentences wherever possible.  I am also a huge fan of punctuation and spelling, capital letters and the like.  This does not sit well with Tallulah, who thinks that it is perfectly acceptable to spell the word pharaoh fourteen different ways from Sunday despite me having written it out twice and being the proud possessor of an entire book with the word typed in it hundreds of times.  I know I am draconian, but I don’t hold with this idea that what matters is to get their creativity out on paper regardless of any other consideration.  It is all very well, but if I cannot read or understand it, what was the bloody point in doing it in the first place?  When even she cannot read it back to me I know that things are not going well.

We reach the point of glaring at each other over the kitchen table.  She complains that she does not know anything about Egypt, so how can she possibly write about it? I show her the library books we got together a few weeks ago, ancestors of the library books we got together a few weeks before that.  I point to the book I unearthed from our own shelves that she has had since the last week of the summer term.  I gesture casually to the Heiroglyphic stamp set I unearthed from my own childhood treasures last week so that she could use it.  She looks at me as if I have given her pooh on a plate. 

I comment that we had this conversation last week, and the outcome will be the same.

She looks at me like I have made her lick the pooh.

I say: ‘Nobody is born knowing everything there is to know about ancient Egypt Tallulah.  The main part of the homework is to find out things about Egypt using the resources available to you, of which you have many.  Why not read this book and then we  can talk about it?’

Her lip sticks out, she wobbles.  Tears well up: ‘I CAAAAAANNNNTTT.  You don’t understand.’

I look at her suspiciously: ‘Why can’t you?’

She realises that this is not working.  She returns my look beadily and says: ‘I just can’t. I can’t explain it.’

I send her away to read her book.  She comes back with some pictures of a temple that she has done on a notelet.  It says: ‘Tempul’  It has clearly been executed in thirty seconds as an effort to deflect attention away from her total failure to read anything whatsoever about Egypt.

I ask what happened to the reading.  She makes excuses:

  • I am allergic to Egypt
  • The dog ate my homework book
  • I have been blind from birth. I have just been making up the bit about being able to read.

I point out that I am not doing it for her no matter what she says, and that school is a fortnight away.  The last week of that fortnight we will be on holiday. If she wants to do her homework she needs to do it now, and she needs to do most of it herself.  I will help, but I do not want another certificate of commendation (I did a stunning project on mosquitoes last term. I thank you).

She flounces back upstairs and comes back down to announce that she has read to page fourteen.  She flings the book at me. I look through it and ask questions.  Here is what I glean:

  • Some people in Egypt wore clothes.  Some people didn’t.
  • Some people wore shoes.  Some people didn’t.  The ones who wore shoes wore things that look like flip flops.
  • It was hot.
  • Some people ate fish at night.  Other people put them in jars with water in and ate them in the morning.

Right.

In the meantime the buboe encrusted victim is beginning to look like Mr. Blobby, and Oscar has moved onto the second table leg because the first one is finished.

Eventually we get a page of writing about pharaohs which is not too terrible.  I have transposed the idea of pharaohship to what would happen if Jason were suddenly made pharoah of Glenfield.  I like this idea.  I may take photos of him in his crown later.  I may possibly get the children to fashion him a canoe out of reeds and launch him on the stream at the back of the Co-op while we attack him with Oscar’s inflatable alligator for verisimilitude.  We’re all about the role play in this house.

I would have been fine with there being no writing.  I have pointed this out.  I am more interested in her understanding what she is doing. She is convinced that this approach is even more old fashioned and a waste of time than my previous ideas about sentences and spelling.  It is clear that it is the quantity of pages that she has produced that bothers her, rather than what is on them.  She is the sort of person who would be more thrilled with a copy of the Phone Book than with a short, original pamphlet by William Blake.  She would look at the Blake, point out that it is only ten pages and that he has gone out of the lines, and toss it in the bin contemptously.

I shelve the idea of embracing home schooling for the masses.  I start thinking wistfully of Malory Towers.  Does such a place exist in real life? Will they take Tallulah? Cornwall is far enough away that she would have to do her own homework, or pay someone else.  I wouldn’t mind if she paid me actually.  I will charge by the page.  I should make a killing.

The Best Laid Plans

Shhhh! The children are watching a film (Peter Pan. I decided to steer them away from Driller Killer given their current levels of antipathy to me and each other), and I must blog while the coast is sort of clear.

Today has been better. This is good. Had it been worse I think I would possibly have tried to throw myself down the storm drain outside our house.

After a weekend of hellishness several things have been decided.

  • If the children do not behave I will personally leave them outside, on the doorstep of the NSPCC in a cardboard box with a big label that says: ‘Our mother batters us.  Take pity on our tiny souls.’
  • If Oscar does not stop brutalising people who disagree with him I will gaffer tape oven gloves to his hands and let him get on with it.  I will also film it and broadcast it on YouTube.
  • We are not packing any more boxes, at least not in the school holidays.  We will pay someone to do it for us.  It may sound exorbitant, but it is possibly the only thing standing between Jason and I and the divorce courts.  Neither of us can look at another cardboard box without weeping, violently.
  • We are not putting anything else into storage until we have more than a slight whiff of a plan.

We spoke vaguely of the plan of going to Canada, whilst looking into the middle distance and sighing a lot.  There is no word from the visa people.  We wait.  In the meantime we save and hope that by this time next year even if we are no further forward visa wise we will have enough money behind us to go out there for a few months and speculate wildly about jobs etc.

So we are looking for a place to rent for 12 months.  We have come to the conclusion, after driving about the county like loons yesterday and peering into gardens, garages and through lace curtains, that the house we rent will have to be big enough for us all to live in comfortably.  We had thought it might be possible to rent somewhere smallish and save some money.  After yesterday spent realising how small smallish is, and remembering how well we fared living on top of each other in London for two days, we have decided that this will not do.  We are now looking for a Georgian manor house with outbuildings and forty acres of land.  Jason will camp on the lawn, I will have the house and the children can bed down in the outbuildings. Then all will be well.

We are not going to save any money on rent, but it does not matter if we are all still talking to each other at the end of it, and the benefit of renting is that if thing suddenly swing into action in a positive way, we can move within four weeks.  This is good.

Because nowhere we pick will work for all of us we have decided that making the house the primary factor is the best way to go about it, and that we will adapt ourselves accordingly depending on where we end up.  The only geographical stipulation is that it has to be within half an hour’s drive of Jason’s work in Nottingham so we actually get to see him in the evenings.

This is sort of a plan isn’t it?